Eye Contact

“Just trust in me,” sang Kaa the snake,
And Mowgli’s eyes grew round as cake;
The boa’s hypnotizing theme
Pled eye-to-eye full contact take.

To look into the eye, I deem,
Requires a strength that’s most extreme
If one expects to keep one’s soul
From getting lost in other’s dream.

For while one keeps the body whole
The soul is bound by one who stole,
With gleam of eye and mind’s heartache,
A bit of life one can’t control.

(Sunday the 13th’s poem borrowed a form used in the “Rubaiyat of Omar Kayyham,” better known as the “interlocking rubaiyat,” and found in a better poem, Robert Frost’s “Stopping by woods on a snowy evening.” I’ll have to try that one again when I have more brain space. Enjoy!)

Form Friday: Villanelle

The great dog Copper battles for his prey—
His growl is fierce, he’ll win this fight—
All must surrender to his sway.

He corrals his foe, holds it at bay;
I try to retrieve it with will and might.
The great dog Copper battles for his prey.

I grip the prey, but Copper’s away
With foe grasped firmly in his bite;
All must surrender to his sway.

At last I have hold and make headway,
And Copper tugs with ferocious delight—
The great dog Copper battles for his prey.

It’s impossible to avoid this fray
For Copper’s tail wags, his eyes are bright;
All must surrender to his sway.

The truth of his size never causes dismay;
He’s not concerned with his meager height—
The great dog Copper battles for his prey,
All must surrender to his sway.

The Great Dog Copper

I wrote this for Form Friday, November 11, and the choice was between a Sestina and a Villanelle. I chose the less daunting–the Villanelle 😄. If you’d like to know what a Sestina looks like, check out this description: https://www.writersdigest.com/…/sestina-6×6339-thats-math. You can also find out about the Villanelle through that site. A classic example of a Villanelle is Dylan Thomas’s “Do Not Go Gentle Into That Good Night.”

Alliance

My father-in-law had to land a
Small plane in a rutted field in
Africa—engine failure.
He learned later friends prayed,
Woken in the night
By unseen Hand.
Alliance,
Spirit-
Bound.

(I tried a nonet today–a nine line poem with nine syllables in the first line, reduced by one in each line. This story of Kraig’s dad has a lot more to it, but this distilled form hits the heart of it, I think.)

Distant Relative

In third grade, in a missionary kid school on the other side of the globe,
My friend Sara and I discovered
We had distant relatives
Who had been enemies—
Or at least opponents.

She had the advantage—Abraham Lincoln touched her line.
My great-grandmother 
had been something like
Second-cousin-once-removed
To the opposition.

I remember my awe at Sara’s brush with greatness, 
Yet I wondered:
How could she be related to Lincoln,
Since her family 
was from Washington State?

I was little concerned over my notorious ancestor.
My teachers read more interesting stories:
Great inventors like George Washington Carver
Who made a whole feast out of peanuts,
And dreamers like Martin Luther King, Jr.,
Whose name I knew before Martin Luther’s.

It was much more interesting that Sara and I were friends
While our distant relatives had fought,
And that somehow the Davis nose
Passed to my great-grandmother
And to my mother.

Relations are sometimes relative.

Jefferson Davis
Lorena Ellis McShane

(No form today–I decided to throw caution to the wind and go with free verse. It was very freeing ☺. I hope you enjoy this trip down memory lane, along with some photos for reference. It’s so interesting to me how memories work. Will I be vilified for mine, or does friendship outweigh distant relations?)

Reading a Map

For every trip we take
We always check the map;
We browse all routes to navigate
And choose the fastest lap.

If we hit the road in time
And circumvent delay,
We’ll keep our plan, our paradigm,
And hold the narrow way.

But best-laid plans go wrong
When roads or weather fail, 
Or accident or flat prolong
Our nicely mapped out trail.

Yet when we don’t complain
And take another road,
Adventure waits on new terrain
(Alluring episode)

For maps can show the streets
But they only go so far.
Sometimes it’s in off-beat retreats
That’s where the stories are.

(Today we got a flat tire, so I ended up writing this poem while I waited for it to get fixed. It’s amazing how fast the time flew by! I copied the rhyme scheme and meter from a poem that the kids and I read yesterday: “The Man He Killed,” by Thomas Hardy.)

Puzzle Pieces

Nobody really lives
Out the truth of nihilism,
Though many believe there’s no
Reason for why life is like it is, 
And they focus on the chaos,
Not recognizing the Designer who
Dares to make the intricate puzzle pieces of creation
Out of a much bigger picture, of which
My mind can only grasp a piece at a time.

(This is yesterday’s prompt and poem: Puzzle Pieces. I decided to do an acrostic poem, and I had nihilism on my mind because we just discussed it today in the worldview class I teach at our local homeschool co-op. You could say this poem is my push against the deep dark hole of this worldview.)

Kin

What’s another word for fam’ly?
Kin, nat’rally!

How about when souls link lyrics?
Kindred spirits?

Are there other connections, too?
Jesus, me, you…

I do hope that upon review
You’ll see a relation between
This family both seen and unseen:
Kin, nat’rally, kindred spirits, Jesus, me, you.

(All of these poems for November Poem a Day are rough, but I’d place bets that this one is just plain awful. I did have fun playing with another form, though–this one is the Ovillejo, a form created by Miguel de Cervantes in the late 1500’s. I have a feeling he handled it much more successfully than I have!)

Telephone

I don’t remember the first phone in my life, back in Pennsylvania,
But I know it would have had a dial—insert the finger, feel the drag, let it spin—
Click-click-click, a click per count.

I do remember the phone we had in the Philippines:
It sat at the top of the stairs,
Connected to our landlord’s line on the other side of the duplex wall,
Used on very rare occasions.

Then to Michigan—this one mounted on a wall—
Dial eventually surrendering to a touch pad (but still digit clicking),
Then a wireless shoe-sized receiver.

Meanwhile there was Grandmom’s phone back in Pennsylvania,
Dial kept as long as her strong, arthritic fingers could force it (a long time),
But she finally accepted the touch pad with the inch-wide buttons.

When I married, we had a phone on the wall, a new number, 
And a long, long cord for maneuvering, and tangling.

Then Keren was born, and wrangling the payphone at the hospital after her surgeries
Convinced us it was time for our first cell phone—
A solid silver wedge with a tiny gray screen
And costly texts.

Then there was the next cell phone,
Then the next,
How many now?
Each seems sleeker and more lovely, 
A world in our hands,
Yet each loses its savor within months…or weeks.

Meanwhile I can still feel the old telephone dial,
How it dragged
And click-click-clicked each number.

I never knew I would miss it.

(I wrote this up late last night, so came back to edit it today and post it. I tried out what’s called a list poem–it’s basically exactly what it says, a list of things, with flexibility. The prompt of telephone got me thinking of all of the phones I’ve had in my life, and the changes with time.)

Form Friday: Golden Shovel

As a kid, I loved to draw and
Created stories with characters who
I met in other tales. Who knows
How much these stories formed me, but
There is no question that
Many fairy tales you
Grew up on have
Been the roots of stories that have come
To me. As I said, I used to
Draw my stories—often royal
Princesses under enchantment or in low position,
In need of rescue by a prince, for
That was the most romantic. Such
Tales I loved, and I still have a
Soft spot for reading and writing them, because over time
I’ve realized there is a truth there, as
Old as the Rescuer whose story has always been this.

“And who knows but that you have come to royal position for such a time as this.” ~Esther 4:14b

(Today was “Form Friday” so I used a poetic form again, but this time I chose from two suggested. I picked the Golden Shovel, which borrows a quote (referenced at the end of mine). Each line of the poem ends with a word from the quote so if you read down the end of the lines you’ll see the quote. The poem doesn’t have to relate to the quote at all, but I’m hoping my does in a way…)